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        PRESS RELEASE
          Contact: Neilson/Clyne
          Tel: (615) 662-1616
          Fax: (615) 662-1636
        FOR IMMEDIATE RELEASE
        
          POST LOGIC STUDIOS UPGRADES THREE MIX SUITES TO 
          SURROUND WITH GENELEC MONITORS
        — Studios A, B, and C each feature Genelec surround monitoring 
          as part of a 
          facility-wide enhancement for HD broadcast —
        NATICK, MA, March 4, 2004 — Post Logic 
          Studios, one of Hollywood’s leading television and theatrical 
          film post-production facilities, has chosen Genelec monitors to outfit 
          the upgrade of its three main audio mixing suites and provide 5.1 surround 
          capability. The first phase of a comprehensive facility upgrade, which 
          is designed to position Post Logic Studios on the leading edge of the 
          high-definition broadcast revolution, is scheduled for completion in 
          spring 2004. Post Logic is already experiencing the benefits of Genelec 
          surround audio, with new monitoring systems installed in Studios A and 
          B late last year, and the facility is looking forward to extending the 
          Genelec surround monitoring upgrade to Studio C in April.
        “Bringing our audio to 5.1-capable is part of a 
          long-term, multi-phase plan to keep Post Logic on the cutting edge as 
          we enter the HDTV era,” explains Fred Howard, Post Production 
          Audio Mixer at the renowned facility and mixer for such hit prime-time 
          shows as Fox’s MAD TV and The Jamie Kennedy Experiment on the 
          WB Network. Howard’s mixing suite, Studio A, now has an LCR array 
          consisting of three Genelec 1031A monitors, with Genelec 1030A monitors 
          used for the surrounds, complemented by the acclaimed Genelec 7070A 
          sub. Howard says that while the Genelec monitors sound great, they have 
          added a functional new dimension to his mixing for television. “They 
          allow me to hear things that I might have missed before and that I can 
          now fix to increase the accuracy of the audio,” he remarks. “In 
          that sense, they have very much raised the bar of quality for audio 
          even further. That’s particularly important when you’re 
          working on reality television programs, where you often get less-than-perfect 
          audio elements. The Genelec monitors make a critical difference in catching 
          audio problems, and since those problems will get magnified in 5.1, 
          we now have the ability to monitor much more critically in surround.”
        Jamie Ledner, Post Production Audio Mixer based in Studio 
          B at Post Logic, and mixer for shows including Who Wants To Marry My 
          Dad and the MTV Movie Awards, employs an all-1030A Genelec surround 
          system. He explains, “I’ve been using the Genelecs for some 
          time and I really like the 1030A’s sound, so I figured, why switch 
          from something that works?” Ledner’s 7070A sub has proved 
          very useful as the low-frequency response of broadcast increases. “There’s 
          stuff out there that you’d never hear on small speakers that many 
          more people can hear now with better sets,” Ledner comments. “Someone 
          kicking the podium on an awards show was never noticed. Now, it comes 
          across as a giant subharmonic ‘thud.’ The Genelecs make 
          sure I find it before the viewer does.”
        Another beneficiary of the Genelec sound at Post Logic 
          Studios is Post Production Audio Mixer Conner Moore, whose broadcast 
          credits include The Bachelorette, Ripley’s Believe It or Not, 
          and Wheel of Fortune. Working in Studio C, Moore has enjoyed using his 
          stereo pair of Genelec 1030A monitors for the past six years. “Going 
          with Genelec when we upgraded was the logical choice,” Moore notes. 
          “I don’t have to train my ears to adjust to a new set of 
          speakers, and the Genelecs have always been the best at translating 
          audio for television, especially music. That’s a major factor 
          behind going 5.1 — there’s going to be a lot more music 
          on television. With the Genelecs, I’ll be able to do it justice 
          in a broadcast environment.”
        ...ends 562 words
        Genelec, the pioneer in Active Monitoring technology, was founded in 
          1978 and has concentrated its efforts and resources into the design 
          and manufacturing of active monitoring loudspeakers with unparalleled 
          sonic accuracy. Genelec has been credited with promoting the concept 
          of active monitors, a trend in technology that some manufacturers are 
          just now incorporating into their products. Genelec has a complete line 
          of active main, mid-field, and near-field monitors for application in 
          the postproduction, project studio, broadcast, TV, and CD mastering 
          markets.
        Other company and product names may be trademarks of the respective 
          companies with which they are associated.
        —For more information on the complete range of Genelec Active 
          Monitoring Systems, contact: Genelec Inc., 7 Tech Circle, Natick, MA 
          01760. Tel: (508) 652-0900; Fax: (508) 652-0909; 
          Web: http://www.genelecusa.com/.